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Next a preamp based on the legendary F2-B studio preamp from Alembic. is used in many studios for direct injected bass in particular.

The circuit is almost exactly same as that used in many tweed Fender amplifiers.

12AX7 --> Fender tone stack -->  12AX7

Additional bright switch around volume control.

Again with the available models very simple to model in Faust/Guitarix

FAUST CODE

Results very good. All works as original circuit but at present I only have a similar circuit to compare with so unsure how much like original it sounds. From circuit diagrams it seems original had only 150V power rail whereas I have used 250V for the models. May well revisit and try with lower voltage, in theory should give more distortion.

 

 

Having been pleased with the results so far it was time to try and build a complete guitar amplifier. To keep it as simple as possible the design is again loosely based on the Fender Champ, very simple in design, 2 stages of preamp valves and one power valve.

12AX7 --> Volume --> 12AX7 --> 6V6 --> 1x 8 speaker

The valve models already exist in the Guitarix code but no attempt had been made to model the effects of output transformers or NFB ( Negative Feedback ) so I decided to try to add something to the circuit to include these. NFB had already been tried in an earlier experiment and only changes here were to make it switchable with the hope of giving the amp a wider range of tones.

After some research it seems simulating an output transformer is really not trivial and so I settled on a very simple model of highpass and lowpass filter until I can get a more sophisticated model.

In addition I felt that it would useful to have both a master volume and a tone control of some sort so revisited the tilt tone control and added a master volume, making the simulation topology :

 

12AX7 -> tilt tone -> gain -> 12AX 7 --> 6V6 --.>  transformer --> speaker

                                                       |                                                       |

                                                       feedback loop -----------------------

 

After some playing with parameters results started to sound pretty good, very much a clean and slight crunch amp. Feedback thins sound slightly  and alters the flavour of the distortion so a useful feature but need to work on eliminating the squealing at higher volumes.

In respect to the original I called this "The Chump"!

The Chump

The Chump

 

 

 

 

As The Chump sounded so good decided to insert the tremelo circuit into the amp to clone Fenders later VibroChamp model, and again seems to work pretty well.

 

The VibroChump

The VibroChump